内容摘要：Beijing may not comment on the details of the recent India-Pakistan conflict, but it's keen to show that its weapon systems are fast catching up with the West.

Beijing may not comment on the details of the recent India-Pakistan conflict, but it's keen to show that its weapon systems are fast catching up with the West.

Ultimately, the American streamers are here to stay; they're spending billions and their UK operations are often led by British executives who are supportive of Britain's public service broadcasting scene.I have also picked up a sense from those inside Netflix that the company is often used as a battering ram to persuade the government that the UK's traditional broadcasters need more protections.

Some have also been critical of the BBC for, as they see it, wanting everything on its own terms: "'We want you to give us your money for co-productions, but the BBC will make all the creative decisions'," is how one insider put it to me, unfairly or not.In 2018, Netflix CEO Ted Sarandos was invited to the BBC's New Broadcasting House in London. Invitees recall that he talked warmly about how influential the BBC's iPlayer had been to the success of Netflix, describing how impressed he had been by a piece of kit that had got British viewers used to getting their video on demand.With more than 17 million Brits now subscribed to Netflix, there is a certain irony to that.

Today, as the BBC's Director General Tim Davie starts to position the BBC ahead of the renewal of the corporation's charter after 2027, the TV landscape is changing fast. And the challenges are clear.Lord Hall tells me: "Our lives will be enriched by having not only what the streamers can offer, but also what the public service broadcasters can bring. It's unthinkable not to build on what the BBC and others can deliver".

Sir Peter Bazalgette predicts that, "Small doesn't cut it," adding that, "The winners will have to be big enough to [both] afford high end dramas for winning subscribers and maintain large back catalogues to keep subscribers happy."

He says we now live in "the 'martini' streaming age - any time, any place, anywhere"."He's a presence, a physical or moral presence, absolutely every day."

Acclaimed Russian ballet choreographer, Yuri Grigorovich, has died aged 98.Described as one of the greatest choreographers of the 20th century, he was artistic director of the Bolshoi Ballet from 1964 to 1995, which he is said to have led with an iron fist.

Grigorovich's productions of the Stone Flower, Ivan the Terrible and Romeo and Juliet redefined Soviet ballet. Praised for revitalising male dance, he created parts for men demanding exceptional strength and artistry.Born in 1927, a decade after the Bolshevik Revolution, his work was steeped in the traditions of classical ballet.